I don't have much to say about it, other than to point it out, but I'm really fascinated by the move Zukofsky makes towards the end of "A"-12, where he lists all the projects he never completed:
And after "getting it into the poem," in a manner of speaking, he gives it to his readers: "Anybody's welcome to it. / Take: a raft of stuff."
This strange and inclusive — and generous — move is predicated by, and extends, a stanza-long expression of fatigue that, despite lacking the crucial sense of disgust, resembles the similar one I mentioned yesterday in Deer Head Nation.
— - — - —
Also: after my too-brief discussion of Sianne Ngai's "Raw Matter: A Poetics of Disgust" yesterday, I linked to two of the texts she addresses: Kevin Davies' Pause Button and Deanna Ferguson's Rough Bush. Find 'em to your right.
These are some things I wanted
To get into a poem,
Some unfinished work
I may never finish,
Some that will never be used anywhere
And after "getting it into the poem," in a manner of speaking, he gives it to his readers: "Anybody's welcome to it. / Take: a raft of stuff."
This strange and inclusive — and generous — move is predicated by, and extends, a stanza-long expression of fatigue that, despite lacking the crucial sense of disgust, resembles the similar one I mentioned yesterday in Deer Head Nation.
I don't seem to read books any more
Tho I suppose actually
I read them all the time.
I don't read the newspapers
Tho once a week I seem to spend a day on them —
As I did today —
Also: after my too-brief discussion of Sianne Ngai's "Raw Matter: A Poetics of Disgust" yesterday, I linked to two of the texts she addresses: Kevin Davies' Pause Button and Deanna Ferguson's Rough Bush. Find 'em to your right.
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